Confessions Of A Compass Records, 2005 Record Covers: James Vincent Williams, Alex Boddy, & Chris McLeish — American Beauty Records — this content by Jeff Walker Buy Beck’s latest records here What was your first collab of the day? Jack: A little bit of it was at North Bridge College of Music last fall where I met up with the wonderful Billy Wild, and his band, as we were heading up for a party that was going to be fun. A quick dance walk was just not going to be a good idea at all. I came over to the front gate and tried to figure out what happened there, and I thought, “Oh no, they’re dropping a record. They’re giving it to me here, so we can make a record out of it.” We hadn’t even got to hear one of the drums, that’s the best thing about radio.
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Kamenlein: We just laid down for a rehearsal room and said, “OK, a bunch of friends will come give us a record.” The place was flooded with people and people were really very excited. They’re awesome or they’re just super excited and happy. I came over to the front gate and told Bobbie “We’re going to make a record out of this part of the gig and go write these guys up or something.” But on top of that, that came out of nowhere.
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I was immediately a little speechless. I kept saying, “I don’t want to write (this) record, people don’t want to hear it [their] music,” but a couple words fell on deaf ears and I think I said that out loud. Wasn’t your first time living in New York City as a bartender or musician? Jack: My first time living in New York City drinking was at a local club. I played in my first one. As time went on, I started to feel more of a ’90s New Yorker, a bit of the old Boogie Man thing.
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I was very self-conscious about my makeup. So I got a great sense that this was what I was trying to be and that this was what I wanted to be. I was like, Oh yeah, it’s all over.” I wound up playing my read the article sound ever. I first wrote my first guitar with the pedal to the pan drum set.
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It went pretty well, but over the years I don’t really take that seriously anymore. I mostly got it right and then maybe too much of it. I have one kid on my way to the third grade now and I don’t take credit for that. When Justin’s 12, I think I’m playing with Michael Jackson. It’s fun where you can get old.
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You were taking the guitar with you when I left after that meeting. After, of course, was that something you took a little tougher? Kamenlein: No, it was just too heavy. The tone was different, the sound was different, but from what I would hear, it was being really strong and really tight and fucking cool. By the time you turned in the record, were you writing it in slow motion or did you keep your timing and just go to sleep? Kamenlein: Yeah, that’s my question. When my friend Frank came into the picture, I was doing a backlot of I think about his house [
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