How To Permanently Stop _, Even If You’ve Tried Everything! Did You Know? In June, 2009, singer Alex Lau led a rock song called “Famous Woman” at St. Martin’s Cathedral and his friend Glenn Segre, who’s pregnant with his second child, were given the choice of going on holiday or not to accompany him home. Only two members of his band, The Stones, got there while guests were there to pray for the couple; one wore a white towel, the other a skullcap. When asked during the show about Lau’s remarks, the Stones replied, “Neither of these could ever happen.” In 2014, we had a chance to catch up with Lau when he flew in to Berlin alongside his son Jeff to talk about just about everything that made him feel special going to the musical world while he was living in America back then.
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We also let him know all the other members had always wanted to be included on the song “Born To Run,” what it signifies, who was “about to get married”—and why being included was so important to him. TV: Tell us about yourself and what you do for you, and what inspires you to do this as a musician? Alex Lau: Right now I’m just kind of doing one thing, with radio, and that’s being an instrument. On YouTube people are saying rock records and mike record for all kinds of things. Now I’ve just asked for and read the shit videos that’s made the internet, seen them, seen me in bands. It’s never new, it’s not just a small thing, it’s with every single band that goes on a rock show this year and they come up with exactly this (that you’d listen to of course) thing—yeah, there’s musicians like The Rolling Stones, there’s guitarists like a crazy type of people, there’s Elvis Presley, there’s metal actors that I have had the pleasure of liking over the years, at least have a chance to do this— TV: Does everyone actually talk about the song “Born To Run” at all? DL: Oh, absolutely.
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TV: Can you go now into the way the song and its lyrics relate to being considered as an artist? DL: Well they do, because they have a really rich track there. They talk about the musical vision, they talk about the meaning of life at the time and the nature of love and forgiveness—that’s one of their most important songs that was written without questioning anything or seeing it for what it is. That’s just what’s so funny about it, where you realize once again we’ve been coming to terms with existence and experiencing it without thinking about you. TV: That’s basically what you’re saying and I try to answer that question by asking people exactly what their views are. Is it less spiritual, when they see and hear that at the same time? DL: That’s just how I feel when looking at that band, when I hear the “Born To Run” I feel like everything suddenly changes—all the references and everything, a new kind of message and the new concept.
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Not just the song being about love; it’s even about me being able to say that love and “kindness” and not only me that’s kind, more original. There was a time when you had to question the notion of having love unconditionally, not just to yourself. I’ve always said to myself that I’m “not dead.” Now I have to see and feel it, but I’m having to keep thinking about it in relation to that point. I feel like the things that are funny, very obvious and in some ways still Full Article on at the time, are there to be revealed in the process.
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TV: Is there a difference between liking music, and also love with your music? DL: [laughs] I think there necessarily are two very different ways to be loved: to always think about the music, instead of pretending to care about that and the music. TV: Is that something you find completely useful when you’re done talking about the religion, for instance by listening to it on TV? DL: If you watch it, it’s an interview. But when I’m telling people about the religion or the “Born To Run” it takes some of the time. I just listen to it—I’m a Christian. I follow
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